The Alchemist Narrated By Jeremy Irons Free Download
| José Ferrer | |
|---|---|
 Ferrer in 1952 | |
| Born | José Vicente Ferrer de Otero y Cintrón (1912-01-08)January 8, 1912 San Juan, Puerto Rico |
| Died | January 26, 1992(1992-01-26) (aged 80) Coral Gables, Florida, U.Due south. |
| Resting place | Santa María Magdalena de Pazzis Cemetery, San Juan |
| Nationality | Puerto Rican |
| Education | Princeton University (1933, B.Arch) |
| Occupation | Actor, managing director |
| Years active | 1935–1992 |
| Spouse(s) |
|
| Children | six, including Miguel Ferrer |
| Relatives |
|
| Awards | National Medal of Arts (1985) |
José Vicente Ferrer de Otero y Cintrón [ane] (January 8, 1912 – January 26, 1992), known every bit José Ferrer, was a Puerto Rican actor and director. He first achieved prominence for his portrayal of Cyrano de Bergerac in the play of the aforementioned name, which earned him the inaugural Tony Accolade for Best Actor in a Play in 1947. He reprised the function in a 1950 film version and won an Academy Award, making him the kickoff Puerto Rican-born actor and the commencement Hispanic actor to win an Oscar.
His best-known movie roles include Henri de Toulouse-Lautrec in Moulin Rouge (1952), defense force attorney Barney Greenwald in The Caine Mutiny (1954), the Turkish Bey in Lawrence of Arabia (1962), Siegfried Rieber in Send of Fools (1965), and Emperor Shaddam in Dune (1984). Ferrer also maintained a prolific acting and directing career on Broadway, winning a second Best Actor Tony for The Shrike, and Best Director for The Shrike, The Fourposter, and Stalag 17.
Ferrer was the begetter of thespian Miguel Ferrer, the blood brother of Rafael Ferrer, the grandfather of extra Tessa Ferrer, and the uncle of actor George Clooney. His contributions to American theatre were recognized in 1981, when he was inducted into the American Theater Hall of Fame.[2] In 1985, he received the National Medal of Arts from President Reagan, becoming the starting time actor then honored.
Early life [edit]
Ferrer was born in San Juan, Puerto Rico, the son of María Providencia Cintrón, who was from the modest coastal town of Yabucoa, Puerto Rico, and Rafael Ferrer, an attorney and writer from San Juan. He was the grandson of Gabriel Ferrer Hernández, a doctor and advocate of Puerto Rican independence from Spain. He had two younger sisters, Elvira and Leticia.[3]
The family moved to New York in 1914. Ferrer studied at the Swiss boarding school Institut Le Rosey.[4]
In 1933, Ferrer completed his bachelor'due south degree in architecture at Princeton University, where he wrote his senior thesis on "French Naturalism and Pardo Bazán". Ferrer was likewise a member of the Princeton Triangle Club and played piano in a ring, "José Ferrer and His Pied Pipers". Ferrer and so studied Romance languages at Columbia University for 1934–35.[5]
Career [edit]
Theatre [edit]
Ferrer's starting time professional appearance every bit an thespian was at a "showboat" theater on Long Island in the summer of 1934.
In 1935, Ferrer was the phase managing director at the Suffern Country Playhouse, operated past Joshua Logan who Ferrer had known at Princeton. Ruth Gordon and Helen Hayes recommended him to Jed Harris.
Ferrer fabricated his Broadway debut in 1935 in A Slight Instance of Murder which ran 69 performances.
He could as well be seen in Stick-in-the-Mud (1935) and Spring Trip the light fantastic (1936). Ferrer's first big success was in Blood brother Rat (1936–38) which ran for 577 performances. In Clover only ran for three performances. How to Get Tough About It (1938) also had a short run, as did Missouri Legend (1938).
Mamba's Daughters (1939) ran for 163 performances. Ferrer followed it with Primal Largo (1939-40) with Paul Muni and directed past Guthrie McClintic, which went for 105 shows and was afterward turned into a picture.
Ferrer had a huge personal success in the title role of Charley'due south Aunt (1940–41), partly in drag, under the direction of Joshua Logan. It went for 233 performances.
Ferrer and so replaced Danny Kaye in the musical Permit's Face Information technology! (1943).
Theatre director and Cyrano [edit]
Ferrer made his debut on Broadway as director with Vickie (1942) in which he also starred. It only had a brusk run.
He played Iago in Margaret Webster's Broadway production of Othello (1943–44), which starred Paul Robeson in the title role, Webster as Emilia, and Ferrer'south married woman, Uta Hagen, as Desdemona. That production yet holds the record for longest-running repeat performance of a Shakespearean play presented in the United states, going for 296 performances (information technology would be revived in 1945).
Ferrer produced and directed, but did non announced in, Strange Fruit (1945–46), starring Mel Ferrer (no relation).
Among other radio roles, Ferrer starred as detective Philo Vance in a 1945 series of the same proper noun.[6]
Cyrano de Bergerac [edit]
Ferrer in costume in an unnamed play at Maple Foliage Gardens
Ferrer may be best remembered for his functioning in the championship role of Cyrano de Bergerac, which he starting time played on Broadway in 1946. Ferrer feared that the product would be a failure in rehearsals, due to the open dislike for the play past director Mel Ferrer (no relation), so he called in Joshua Logan (who had directed his star-making performance in Charley's Aunt) to serve as "play dr." for the production. Logan wrote that he simply had to eliminate pieces of business organization which director Ferrer had inserted in his staging; they presumably were intended to sabotage the more sentimental elements of the play that the managing director considered to be corny and in bad gustatory modality.[7] The production became ane of the hits of the 1946/47 Broadway flavour, winning Ferrer the start Best Actor Tony Honour for his depiction of the long-nosed poet/swordsman.
Ferrer directed, but did not appear in, As We Forgive Our Debtors (1947), which ran 5 performances. There was some other short run for Volpone (1947) which Ferrer adapted and played the title function.[8]
Early on films [edit]
Ferrer made his film debut in the Technicolor epic Joan of Arc (1948) as the weak-willed Dauphin opposite Ingrid Bergman as Joan. Ferrer's performance earned him an Oscar nomination for All-time Supporting Actor.
At the City Center, he acted in revivals of Angel Street (1948) and The Alchemist (1948) and directed Southward. Southward. Glencairn (1948) and The Insect One-act (1948) (likewise actualization in the latter).[9]
Ferrer had another Broadway hit with The Silver Whistle (1948–49) which ran for 219 performances.[10] He performed ii shows for The Philco-Goodyear Tv Playhouse on Boob tube in 1949: Cyrano, playing the title part, and an adaptation of What Makes Sammy Run?, playing Sammy Glick (adapted past Paddy Chayefsky).
Ferrer returned to Hollywood to announced in Otto Preminger'southward Whirlpool (1950), supporting Cistron Tierney, and Richard Brooks' Crunch (1950), opposite Cary Grant.
Moving picture distinction [edit]
Ferrer so played the championship role in Cyrano de Bergerac (1950), directed by Michael Gordon and produced by Stanley Kramer. Ferrer won the All-time Actor Oscar. The movie was widely seen although information technology lost money.[11] Ferrer donated the Oscar to the University of Puerto Rico, and it was subsequently stolen in 2000.[12]
Ferrer returned to Broadway for a revival of Twentieth Century (1950–51) which he directed and starred in, contrary Gloria Swanson; it went for 233 performances. Immediately following, he produced and directed, but did not appear in, Stalag 17 (1951–52), a large hit running for 472 performances. Even more popular was The Fourposter (1951–53) in which he directed Hume Cronyn and Jessica Tandy; it ran for 632 performances.
Ferrer returned to cinema screens in the comedy Annihilation Can Happen (1952), directed by George Seaton, where Ferrer played an immigrant.
More than popular was Moulin Rouge (1952) in which Ferrer played the part of Toulouse-Lautrec under John Huston'southward direction.[13] Ferrer received 40% of the profits.[14]
Back on Broadway, Ferrer directed and starred in The Shrike (1952), which ran for 161 performances.[15]
His side by side two shows were as managing director only: Horton Foote'southward The Chase (1952) only had a curt run but My Iii Angels (1953–54), went for 344 performances.[xvi]
Ferrer had another cinema hitting with Miss Sadie Thompson (1953) starring Rita Hayworth.[17] Ferrer briefly revived some of his shows at the City Centre in 1953: Cyrano, The Shrike, Richard Iii, Charley's Aunt.[eighteen]
He returned to films with The Caine Mutiny (1954) for Kramer, co-starring with Humphrey Bogart and Van Johnson, playing defence force lawyer Barney Greenwald; the moving picture was a huge hit.[19] Greenwald'south Jewish faith, so prominent in the novel that it informed his judgments of the U.Southward.S. Caine's officers, was downplayed in the motion-picture show, every bit Ferrer, existence Puerto Rican, was nominally Roman Cosmic.
Besides popular was Deep in My Heart (1955) where Ferrer played Sigmund Romberg, and which made a profit of over $1 million.[20]
Pic director [edit]
Ferrer fabricated his debut as film director at Universal with an adaptation of The Shrike (1955), in which he also starred reverse June Allyson.
Ferrer then performed Cyrano in an episode of Producer's Showcase on television set, directed by Mel Ferrer and co-starring Claire Flower.
He went to England to star in and directly a war picture show for Warwick Productions, The Cockleshell Heroes (1955), alongside Trevor Howard; it was a success at the British box office.[21] [22]
Ferrer co-wrote, directed and starred in the film The Great Man (1956), at Universal. He directed and starred in two films for MGM: I Accuse! (1958), where he played Captain Alfred Dreyfus, and The High Cost of Loving (1958) a comedy with Gena Rowlands. Both flopped at the box office.
Back on Broadway, Ferrer co-wrote and directed the phase musical Oh, Helm! (1958) with Tony Randall, which simply had a curt run. He directed and starred in Edwin Booth (1958), playing the title role; it was not a success.
In 1958, Ferrer narrated the children'southward anthology Tubby the Tuba, which was nominated for the Best Recording For Children at the 1st Annual Grammy Awards.[23]
Ferrer took over the direction of the troubled musical Juno (1959) from Vincent J. Donehue, who had himself taken over from Tony Richardson. The show, which starred Shirley Booth, folded later on 16 performances and mixed-to extremely negative critical reaction.
Still, he followed it directing the original stage production of Saul Levitt'due south The Andersonville Trial (1959–threescore), well-nigh the trial following the revelation of conditions at the infamous Ceremonious State of war prison. It was a hit and featured George C. Scott, running for 179 performances.
Around this time, Ferrer also appeared in television in episodes of Full general Electric Theater and The United States Steel 60 minutes.
20th Century Fox [edit]
Ferrer signed a contract with 20th Century Play a trick on to directly films. He made Return to Peyton Place (1961) and State Fair (1962), both of which were commercial disappointments.[24]
Ferrer had a key back up role in the film Lawrence of Arabia (1962) which was a huge success. Although Ferrer'southward performance was only small he said it was his all-time on screen.
At Fox, he played an investigating police officeholder in Nine Hours to Rama (1963). He besides invitee starred on The Greatest Show on Earth.[25]
Ferrer returned to Broadway to star in Noël Coward's musical The Girl Who Came to Supper (1963–64) which ran for 112 performances.[26]
He narrated the commencement episode of the popular 1964 sitcom Bewitched, in mock documentary style.
Ferrer went to Germany to make Stop Train 349 (1963) with Sean Flynn. He appeared in the 1964 French moving-picture show Cyrano et d'Artagnan directed by Abel Gance.
Back in Hollywood, Ferrer played Herod Antipas in The Greatest Story Ever Told (1965) and was in Ship of Fools (1965) for Stanley Kramer.
A notable operation of his later on phase career was as Miguel de Cervantes and his fictional cosmos Don Quixote in the hit musical Homo of La Mancha. Ferrer took over the part from Richard Kiley in 1966 and after went on tour with it in the beginning national company of the show. Tony Martinez connected in the part of Sancho Panza under Ferrer, as he had with Kiley.
Ferrer starred in Carl Reiner's Enter Laughing (1967) and did a product of Kismet (1967) on TV. He went to Europe to practise Cervantes (1967) and appeared in A Case of Libel (1968) for Us TV. He also provided the vocalism of the evil Ben Haramed in the 1968 Rankin/Bass Christmas Television special The Little Drummer Boy. In 1968 the IRS sent him a tax neb of $122,000 going dorsum to 1962.[27]
1970s [edit]
Ferrer appeared in the goggle box films The Aquarians (1970), Gideon (1971) and Crosscurrent (1971) and guest-starred on The Name of the Game and Banyon.[28]
Ferrer directed The Web and the Stone (1972) on stage in New York and appeared in The Marcus-Nelson Murders (1973), Orson Welles Bang-up Mysteries (1973), and Columbo.
Effectually 1973, he narrated A Touch of Royalty, a documentary on the life and death of Puerto Rico's baseball star Roberto Clemente. Ferrer voiced both versions, Spanish and English.
Ferrer voiced a highly truncated cartoon version of Cyrano for an episode of The ABC Afterschool Special in 1974.
Ferrer appeared in The Missing Are Deadly (1975), Forever Young, Forever Gratis (1975), Order to Assassinate (1975), Medical Story (1975), The Art of Crime (1975), Truman at Potsdam (1976) (playing Stalin), The Big Bus (1976), Paco (1976)., Voyage of the Damned (1976), Crash! (1976), The Spotter (1977), Zoltan, Hound of Dracula (1977), Exo-Man (1977), Who Has Seen the Wind (1977), The Rhinemann Substitution, The Private Files of J. Edgar Hoover (1977), Fedora (1978) from Billy Wilder, The Amazing Captain Nemo (1978) (in the title office), and The Swarm. He guest starred on Starsky and Hutch and Tales of the Unexpected.
During the Bicentennial, Ferrer narrated the earth premiere of Michael Jeffrey Shapiro's A Declaration of Independence, July 4, 1776 for narrator and orchestra with Martin Rich leading the Philharmonic Symphony of Westchester.
Ferrer was a replacement cast fellow member in a product of David Mamet'south A Life in the Theatre (1977–78). He produced and starred in White Pelicans (1978) and directed Carmelina (1979) on stage but it only ran 17 performances.
He was in The Fifth Musketeer (1979), The Concorde ... Aerodrome '79 (1979), Natural Enemies (1979), The French Atlantic Affair (1979), A Life of Sin, a 1979 moving-picture show by Puerto Rican manager Efraín López Neris which also starred Raul Julia, Míriam Colón and Henry Darrow, and Battles: The Murder That Wouldn't Die (1980). He did The Merchant on stage in Canada.[29]
1980s [edit]
In 1980, he had a role as future Justice Abe Fortas in the made-for-television flick version of Anthony Lewis' Gideon'due south Trumpet, opposite Henry Fonda in an Emmy-nominated functioning every bit Clarence Earl Gideon.
He also appeared in Battle Creek Brawl (1980), Pleasure Palace (1980), The Dream Merchants (1980), Magnum, P.I., Evita Peron (1981), Berlin Tunnel 21 (1981), Peter and Paul (1981) with Anthony Hopkins, Encarmine Birthday (1981), Woody Allen's A Midsummer Night's Sex One-act (1982) (a swish notwithstanding somewhat antagonistic university professor/writer whose booming voice both begins and ends the motion-picture show), Blood Tide (1982), Blood Feud (1982), This Girl for Hire (1983), The Being (1983) and Mel Brooks's version of To Exist or Not to Exist (1983).
From 1982 to 1985, he was artistic director of the Coconut Grove Theatre in Miami.[30]
He guest-starred on Quincy, Thou.E., Another World, Fantasy Island, Hotel, The Honey Gunkhole, Bridges to Cantankerous, and Murder, She Wrote.
Ferrer was in The Evil That Men Do (1984), Samson and Delilah (1984), and George Washington (1984). He was the Emperor in Dune (1984) and was in Hitler's SS: Portrait in Evil (1985), Seduced (1985), Covenant (1985), Blood & Orchids (1986), Immature Harry Houdini, and The Current of air in the Willows (1987).
Ferrer fabricated his farewell to Cyrano by performing a brusque passage from the play for the 1986 Tony Awards telecast.
Although not the original player to play the graphic symbol, Ferrer, beginning in the 3rd season, had a recurring role as Julia Duffy's WASPy father in the long-running goggle box series Newhart in the 1980s.
In an interview given in the 1980s, he bemoaned the lack of good character parts for aging stars, and admitted that he now took on roles mostly for the money, such as his roles in the horror potboilers The Swarm, in which he played a doctor, and Dracula'due south Domestic dog, in which he played a police inspector.
Ferrer'south final performances include The Sunday and the Moon (1987), American Playhouse ("Strange Interlude" with Kenneth Branagh), Female parent'due south Day (1989), Matlock, Hired to Kill (1990), One-time Explorers (1990) and The Perfect Tribute.
He was bandage in a Broadway play Conversations with My Father (1991) only withdrew due to poor health.[31]
Legacy [edit]
- Ferrer was the first Hispanic histrion to win an Academy Honour.
- In 2005, the Hispanic System of Latin Actors (HOLA) renamed its Tespis Award to the HOLA José Ferrer Tespis Honor.
- Ferrer was honored for his theatrical and cinematic works with an induction into the American Theatre Hall of Fame and a National Medal of Arts, becoming the first actor and Hispanic to be presented with the prestigious award.
- Ferrer'southward sons Rafael Ferrer and Miguel Ferrer, his daughter (Letty Ferrer), and his granddaughter Tessa Ferrer besides became actors and actresses.
- Ferrer donated his Academy Award to the University of Puerto Rico. The laurels was stolen after beingness misplaced during the remodeling of the academy's theater.
- On April 26, 2012, the Usa Postal Service issued a postage in Ferrer's honor in its Distinguished Americans series.[5]
Personal life [edit]
Ferrer was married five times and had half-dozen children:
- Uta Hagen (1938–1948): Ferrer and Hagen had 1 child, their girl Leticia (born October 15, 1940). They divorced in 1948, partly due to Hagen'south long-concealed affair with Paul Robeson, with whom Hagen and Ferrer had co-starred in the Broadway production of Othello.
- Phyllis Hill (1948–1953): Ferrer and Hill wed on May 27, 1948, and they moved to Burlington, Vermont in 1950, where they after found information technology difficult to go along their marriage together. Ferrer returned to Puerto Rico because his mother died. They divorced on Jan 12, 1953.
- Rosemary Clooney (1953–1961): Ferrer first married Clooney on June one, 1953, in Durant, Oklahoma.[32] They moved to Santa Monica, California, in 1954, and and then to Los Angeles in 1958. Ferrer and Clooney had five children in quick succession: Miguel (Feb vii, 1955 – January 19, 2017), Maria (born August 9, 1956), Gabriel (born Baronial 1, 1957), Monsita (born October 13, 1958) and Rafael (born March 23, 1960). They divorced for the first fourth dimension in 1961.
- Rosemary Clooney (1964–1967): Ferrer and Clooney remarried on Nov 22, 1964, in Los Angeles; nonetheless, the marriage again crumbled considering Ferrer was carrying on an affair with the adult female who would become his concluding wife, Stella Magee. Clooney found out about the affair, and she and Ferrer divorced over again in 1967.
- Stella Magee (1977–1992): Ferrer married Magee in 1977, and they remained together until his decease in 1992.
Death [edit]
Ferrer died of colorectal cancer in Coral Gables, Florida, on January 26, 1992, 18 days after his 80th altogether, and was interred in Santa María Magdalena de Pazzis Cemetery in Old San Juan in his native Puerto Rico.[31]
Filmography [edit]
| Year | Title | Office | Notes |
|---|---|---|---|
| 1948 | Joan of Arc | The Dauphin, Charles VII | Nominated – Academy Award for Best Supporting Histrion |
| 1950 | Whirlpool | David Korvo | |
| 1950 | The Secret Fury | José | Uncredited |
| 1950 | Crunch | Raoul Farrago | |
| 1950 | Cyrano de Bergerac | Cyrano de Bergerac |
|
| 1952 | Anything Tin can Happen | Giorgi Papashvily | |
| 1952 | Moulin Rouge | Henri de Toulouse-Lautrec | Nominated – Academy Award for All-time Role player |
| 1953 | Producers' Showcase: "Cyrano de Bergerac" | Cyrano de Bergerac | Nominated – Primetime Emmy Honor for Outstanding Lead Actor in a Miniseries or a Movie |
| 1953 | Miss Sadie Thompson | Alfred Davidson | |
| 1954 | The Caine Mutiny | Lt. Barney Greenwald | Nominated – BAFTA Award for Best Foreign Actor |
| 1954 | Deep in My Heart | Sigmund Romberg | |
| 1955 | The Shrike | Jim Downs | Also director |
| 1955 | The Cockleshell Heroes | Major Stringer | Also director |
| 1956 | The Not bad Man | Joe Harris | Also director |
| 1957 | Four Girls in Town | Director | Uncredited |
| 1958 | I Charge! | Capt. Alfred Dreyfus | Also director |
| 1958 | The High Toll of Loving | Jim "Jimbo" Fry | Also manager |
| 1961 | Return to Peyton Place | Voice of Marking Steele | Besides managing director, uncredited |
| 1962 | State Fair | Managing director | |
| 1962 | Lawrence of Arabia | Turkish Bey | |
| 1963 | Nine Hours to Rama | Supt. Gopal Das | |
| 1963 | Stop Train 349 | Cowan the Reporter | |
| 1964 | Cyrano et d'Artagnan | Cyrano de Bergerac | |
| 1965 | The Greatest Story Ever Told | Herod Antipas | |
| 1965 | Transport of Fools | Siegfried Rieber | |
| 1967 | Enter Laughing | Mr. Harrison B. Marlowe | |
| 1967 | Cervantes | Hassan Bey | |
| 1968 | The Little Drummer Male child | Ben Haramad | Phonation |
| 1975 | Forever Immature, Forever Gratis | Father Alberto | Aka: e'Lollipop |
| 1975 | El clan de los immorales | Inspector Reed | |
| 1976 | Paco | Fermin Flores | |
| 1976 | The Big Bus | Ironman | |
| 1976 | Voyage of the Damned | Manuel Benitez | |
| 1976 | Crash! | Marc Denne | |
| 1977 | The Rhinemann Exchange | Erich Rhinemann | |
| 1977 | The Lookout man | Priest of the Alliance | |
| 1977 | Who Has Seen the Wind | The Ben | |
| 1977 | The Private Files of J. Edgar Hoover | Lionel McCoy | |
| 1978 | The Render of Helm Nemo | Captain Nemo | |
| 1978 | Dracula's Domestic dog | Inspector Branco | |
| 1978 | Fedora | Doctor Vando | |
| 1978 | The Swarm | Dr. Andrews | |
| 1979 | The French Atlantic Affair | President Aristide Brouchard | |
| 1979 | The 5th Musketeer | Athos | |
| 1979 | The Concorde ... Drome '79 | Principal Superintendent Morabito | (TV version), Uncredited |
| 1979 | Natural Enemies | Harry Rosenthal | |
| 1980 | The Dream Merchants | George Pappas | |
| 1980 | The Big Ball | Domenici | |
| 1981 | Bloody Birthday | Md | |
| 1981 | Peter and Paul | Gamaliel | |
| 1982 | A Midsummer Night'southward Sex Comedy | Leopold | |
| 1982 | Blood Tide | Nereus | |
| 1982 | And They Are Off | Martin Craig | |
| 1983 | The Being | Mayor Gordon Lane | |
| 1983 | To Be or Not to Be | Prof. Siletski | |
| 1984 | The Evil That Men Do | Dr. Hector Lomelin | |
| 1984 | George Washington | Robert Dinwiddie | |
| 1984 | Dune | Padishah Emperor Shaddam Four | |
| 1985 | Hitler's SS: Portrait in Evil | Ludwig Rosenberg | |
| 1987 | The Wind in the Willows | Badger | Voice, TV Moving-picture show |
| 1987 | The Sun and the Moon | Don Fulhencio | |
| 1990 | Quondam Explorers | Warner Watney |
Run across also [edit]
- Listing of Puerto Ricans
- French clearing to Puerto Rico
- List of Puerto Rican Academy Honour winners and nominees
- Miguel Ferrer
References [edit]
- ^ "Jose Ferrer (American actor)" Encyclopædia Britannica. Retrieved on 2012-05-12.
- ^ "26 Elected to the Theater Hall of Fame". The New York Times . Retrieved February ten, 2014.
- ^ 1920 U.s. Federal Demography
- ^ "Jose Ferrer Was Proud Of Puerto Rican Roots". The New York Times. Feb 18, 1992.
- ^ a b "USPS honors Jose Ferrer on 2012 forever postage stamp" (Press release). US Post. December five, 2011. Retrieved June 27, 2020.
- ^ Old Fourth dimension Radio Researchers Group, Philo Vance — Single Episodes at the Internet Archive
- ^ Logan, Joshua (i May 1976). Josh, My Up and Downwardly, In and Out Life . Delacorte Press. pp. 79–80. ISBN978-0440042358.
- ^ "Jose Ferrer (Cartoon)". The New York Times. 20 April 1947. p. SM25.
- ^ "New York Urban center Theatre Company". Internet Broadway Database . Retrieved 27 June 2020.
- ^ "Jose Ferrer-Erwenter" The Christian Scientific discipline Monitor 25 September 1948: p.eleven.
- ^ Balio, Tino (December fifteen, 1987). United Artists: The Company That Changed the Film Industry . University of Wisconsin Press. p. 47. ISBN978-0299114404.
- ^ Morrison, Marking. "Jose Ferrer Oscar Mystery: Statuette MIA, and the Academy Won't Replace It". The Hollywood Reporter . Retrieved 27 June 2020.
- ^ 'The Top Box Office Hits of 1953', Multifariousness, thirteen January 1954
- ^ Commissioner of Internal Revenue v. Ferrer , 304 125 (F. 2d Cir 5 June 1952).
- ^ Coe, Richard 50. (10 February 1952). "48th Street Salutes Genius of Ferrer". The Washington Mail: L1.
- ^ "My 3 Angels". Playbill Vault . Retrieved June 27, 2020.
- ^ 'The Top Box-Function Hits of 1954', Diversity Weekly, January 5, 1955
- ^ Chapman, John (29 Nov 1953). "Jose Ferrer Donates Self to City Center" Chicago Daily Tribune: E5.
- ^ "The Caine Wildcat: Summary". The Numbers. Retrieved April fifteen, 2013.
- ^ The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Moving picture Study
- ^ Pryor, Thomas K. (7 January 1955). "Film Pact Signed Past Joshua Logan: He Will Make His Debut as Screen Director in 'Picnic' Adaptation for Columbia". The New York Times. p. 16.
- ^ "British Films Made Most Coin: Box-Part Survey". The Manchester Guardian. 28 December 1956. p. iii.
- ^ "Jose Ferrer". Grammy.com. 15 February 2019. Retrieved xviii February 2019.
- ^ Schaumach, Murray (18 July 1961). "Jose Ferrer Ends Long Film Famine: Player-Director in bargain With Play tricks, Explains 4-Year Lapse". The New York Times: 33.
- ^ Humphrey, Hal (11 August 1963). "Jose Ferrer---TV's Reluctant Ham". Los Angeles Times: D26.
- ^ " 'The Girl Who Came to Supper' Broadway". Playbill (vault), accessed Dec five, 2016
- ^ "IRS Cracks Down on Histrion Jose Ferrer". Los Angeles Times eight May 1968: G23.
- ^ "Jose Ferrer Set for 'Banyon' Office". Los Angeles Times 25 December 1970: E38.
- ^ "Briefly: Jose Ferrer set". The Globe and Mail 23 August 1979: P.13.
- ^ "Ferrer Ends Reign Over Miami Theater". Chicago Tribune. Knight-Ridder Newspapers. 17 January 1985. Retrieved 27 June 2020.
- ^ a b "Stage, Moving picture Thespian Jose Ferrer Dies". Los Angeles Times 27 January 1992: VYA3
- ^ "Just Married to Rosemary Clooney, Jose Ferrer Gives Political party for Olivia DeHavilland". The Day. New London, Conn. Associated Printing. fourteen July 1953. Retrieved 27 June 2020.
External links [edit]
- José Ferrer at the Net Broadway Database
- José Ferrer at the Internet Off-Broadway Database
- José Ferrer at IMDb
- José Ferrer collection, Howard Gotlieb Archival Research Eye, Boston University
DOWNLOAD HERE
Posted by: lynchambegurea.blogspot.com
0 تعليقات